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Cyclick Samples - Analogue Polys [WAV NKI] -Sin

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Description

 							The evergreen sounds of those classic polyphonic synths (Prophet, Juno, Jupiter, Matrix, etc.) are the focus
  of this sample collection. 16 synth patches were created across a variety of sources, and to warm up their
 
digital bones they were recorded through an Arsenal Audio R24 EQ and Focusrite ISA828 preamps. The EQ
  was only
used to push the HF/LF ends a wee bit whilst trimming back midrange harshness, but it was mainly
  there to shove
some transformers in the signal path. The ISA828 is very clean, but there is a slight
  enlivening effect that can
discerned when used as a line level amplifier.
  
  The base synth patches were created to make the most of
the classic oscillator/filter relationships we tend to
  associate with the analogue polyphonics, but they were
also kept on the more 'vanilla' side to maximise
  usefulness – bathe them in delay, reverb, flange/phase,
and don't forget some spicy distortion. This way they
  will also withstand a hefty dose of EQ/filter shaping
without breaking up, and as for compression...well, don't
  be shy!
  
  The samples are split into two
folders: Chord Hits and Instruments. Pretty self-explanatory. The Chord Hits
  are made up of seven chords (major,
6 th , 9 th , minor, minor 6 th , minor 7 th and diminished) in three keys (A, C &
  E) to minimise pitch
shifting in order to shoe-horn into a track. Each chord sustains for about 8 seconds, so
  there's plenty to fit a
bar or two, and splicing the tail into something longer is a synch. The Instruments folder
  contains all 16
patches with individual white notes from C0 to C5. For the 12 non-oneshot multisamples the
  sustain loop points
are embedded in the WAV file so clip-free sustain can be available in any sampler
  without any additional
programming.
  
  The Kontakt instruments (created in version 5) feature a ladder LPF assigned to CC74 and an
4-pole HPF
  assigned to CC01 (Mod Wheel). A ramp up sawtooth wave LFO modulates the amplitude and is
 
controlled/applied via Aftertouch (press for a ¼ note pumping effect). 						

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